Gibson Les Paul Studio Electric Guitar, Wine Red - Chrome Hardware Left Handed

Gibson Les Paul Studio Electric Guitar, Wine Red - Chrome Hardware Left Handed Review

Gibson Les Paul Studio Electric Guitar, Wine Red - Chrome Hardware Left Handed Feature

• Mahogany neck with ebony fingerboard and acrylic trapezoid inlays
• Gibson 490R and 498T humbuckers with three-way toggle, separate tone/volume controls
• Nashville Tune-o-Matic bridge with stopbar tailpiece
• Vintage tuning machines with tulip buttons and 14:1 ratio
• Chambered mahogany body with maple top and set-neck construction

Gibson Les Paul Studio Electric Guitar, Wine Red - Chrome Hardware Left Handed Overview

Ever since hitting the streets in 1983, Gibson’s Les Paul Studio has been the ultimate offering of traditional Les Paul performance with a modern, no-frills attitude. Introduced as a guitar mainly for studio musicians, the Les Paul Studio has become one of the most desired – and popular – Les Pauls for its tremendous harmonic and sonic qualities. All of the essential elements of a Les Paul Standard are there, including a carved maple top, solid mahogany back and genuine Gibson humbucker pickups. What the Les Paul Studio lacks in extras, it makes up for in performance.

Gibson Les Paul Studio Electric Guitar, Wine Red - Chrome Hardware Left Handed Specifications

Originally designed as a model for studio artists but adopted wholeheartedly by countless players of all stripes, the Les Paul Studio combines stripped-down appointments with the full tonal splendor and unrivaled playability of a Les Paul Standard at a significant financial savings. All the elements of the legendary Les Paul Standard are still there, including that fat and sweet maple-and-mahogany tone through two genuine Gibson humbucking pickups. By eliminating a little of the window dressing--namely, building the guitar without binding around the body top or fingerboard, and applying an elegant gold silkscreened logo in place of an inlay--the Les Paul Studio weighs in at a price that players have found irresistible for three decades. And it all looks great, naturally, in your choice of four hand-sprayed nitrocellulose finishes: Wine Red, Ebony Black, Alpine White or Fire Burst (Ebony and Wine Red also available left-handed).

Chambered Mahogany Body

The body of each Les Paul Studio is crafted from chambered mahogany, joined to a solid carved maple top with ultra-strong Franklin Titebond 50 glue. These classic tonewoods have yielded some of the most legendary sounds in the history of rock.

Mahogany is a medium-dense wood with excellent resonance and superior sustain, and it offers a rich, round, warm tone, but with plenty of high-end sheen and good mid-range presence. Add a solid maple top, and the guitar's tone is enhanced with added clarity, sustain and definition. The body's chambering also enhances its mellow acoustic resonance, and adds further air to the midrange content.

Set Mahogany Neck

The neck of the Les Paul Studio is constructed from solid mahogany, cut using the superior "quarter sawn" orientation for improved strength and resonance. The angled, classical-style peg head and mahogany neck work together to provide exceptional tonal richness and resonance from the neck, with a good string definition and sustain.

Gibson uses what is known as the Mortis & Tenon joint to bind neck to body so that the two pieces form one solid unit. This time-tested technique has been used for millennia in all the great woodworking arts--from shipbuilding to cabinetry--to create one solid wood unit from two separate sections, and has been proven to yield a stronger neck and body than if the instrument was made from a single piece of wood.

The Les Paul Studio carries two of Gibson's most popular humbucking pickups, a 498T in the bridge position and a 490R in the neck.

Vintage-style tuners with tulip buttons and an efficient 14:1 turn ratio.

Gibson Tune-o-matic bridge with stopbar tailpiece.

22-Fret Rosewood and Ebony Fingerboards

Ebony and rosewood has always graced the fingerboards of the world's finest stringed instruments, including many of today's Gibsons. The fingerboards on the Les Paul Studios are constructed from the highest grade ebony and rosewood on the planet, and are personally inspected and qualified by Gibson's team of skilled wood experts before it enters the factories. The resilience of these dense and durable woods make the fingerboards extremely balanced and stable, giving each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes, common occurrences on fingerboards with lesser radiuses.

The Les Paul Studio fingerboard carries acrylic trapezoid position-marker inlays, echoing the traditional look of the original Les Paul Standard.

Angled Headstock

The Les Paul Studio headstock is carefully angled at Gibson's traditional 17 degrees, which increases pressure on the strings and helps them stay in the nut slots. An increase in string pressure also means there is no loss of string vibration between the nut and the tuners, which equals better sustain.

The headstock of the Les Paul Studio is equipped with vintage-style tuners with green tulip buttons and an efficient 14:1 turn ratio. These tuners provide a classic look in line with the model's lineage, and smooth, robust performance.

Tune-o-Matic Bridge

In 1954, Gibson revolutionized guitar hardware when it debuted the Tune-o-matic bridge, setting a standard for simplicity and functionality that has never been bettered. Included on the Les Paul Studio, the Tune-o-matic provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. It also yields excellent coupling between strings and body, maximizing resonance, tone, and sustain. This bridge is made from Zamak then plated in chrome, and each one weighs approximately .118 lbs.

Every Tune-o-matic bridge is combined with a separate "stopbar" tailpiece, which is essentially a modified version of the earlier wraparound bridge that's designed to further enhance the connection between the strings and the body. The Les Paul Studio's stopbar tailpiece is made from Zamak then plated in chrome, and each one weighs approximately .24 lbs

498T and 490R Pickups

Gibson's 498T and 490R pickups ("T" for treble, and "R" for rhythm) have the traditional characteristics of the original "Patent Applied For" pickups of the late 1950s, with a few upgrades. These pickups take advantage of wax potting, which does away with any air space inside the pickup, therefore lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490R's ideal complement.

Taking the 490R one step further, the 498T is wound a little hotter and also swaps the Alnico II magnet for an Alnico V, giving it more punch and greater emphasis on midrange and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

A three-way toggle is included for pickup selection, and each pickup gets an independent volume and tone control.

Nitrocellulose Finish

The Les Paul Studio is hand-finished in nitrocellulose in a process that is carefully monitored to ensure minimum build-up, in an effort to produce a finish that breathes with the guitar and enhances natural resonance. The final coat is hand-buffed to a high-sheen gloss. Unlike many other manufacturers, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time.

The Les Paul Studio is finished your choice of Wine Red, Ebony Black, Alpine White or Fire Burst.

Les Paul Studio Specs

• Body: Mahogany
• Top: Maple
• Hardware: Chrome
• Bridge: Nashville Tune-O-Matic
• Tailpiece: Stop Bar
• Tuners: Vintage with Pearloid Button
• Neck Pickup: 490R
• Bridge Pickup: 498T
• Controls: 2 Volume, 2 Tone, Three-way Toggle
• Control Knobs: Black Speed Knobs
• Neck: Mahogany
• Nut: Corian
• Nut Width: Standard Gibson (1.695" +/- .050")
• Fingerboard: Ebony
• Inlays: Figured Acrylic Trapezoids
• Frets: 22
• Scale Length: 24 - 3/4"

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Gibson Les Paul Traditional Electric Guitar, Gold Top

Gibson Les Paul Traditional Electric Guitar, Gold Top Review

Gibson Les Paul Traditional Electric Guitar, Gold Top Feature

• Weight-relieved Mahogany Body with Highly Figured Maple Top
• 57 Classic Pickups
• Vintage Gibson Speed Knobs
• TonePros Kluson Vintage-style Tuners
• Revolutionary PLEK System Set-up

Gibson Les Paul Traditional Electric Guitar, Gold Top Overview

Introducing the Les Paul Traditional Gold Top from Gibson USA. With all the fat, sweet, snarling Les Paul tone that purists love, the Traditional plays, sounds, and weighs like the Les Pauls today’s players grew up loving and lusting after. Taking design and visual cues from the Les Pauls of the ’80s and '90s, the Les Paul Traditional starts with an un-chambered mahogany body with traditional weight-relief holes for a beefy tone that maintains the resonance of modern Les Pauls. Each Les Paul Traditional also comes with Gibson USA’s standard black snakeskin case.

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Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Review

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Feature

• Weight-relieved Mahogany Body with Highly Figured Maple Top
• 57 Classic Pickups
• Vintage Gibson Speed Knobs
• TonePros Kluson Vintage-style Tuners
• Revolutionary PLEK System Set-up

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Overview

Introducing the Les Paul Traditional Plus Iced Tea from Gibson USA. With all the fat, sweet, snarling Les Paul tone that purists love, the Traditional plays, sounds, and weighs like the Les Pauls today’s players grew up loving and lusting after. Taking design and visual cues from the Les Pauls of the ’80s and '90s, the Les Paul Traditional starts with an un-chambered mahogany body with traditional weight-relief holes for a beefy tone that maintains the resonance of modern Les Pauls. The Traditional Plus also comes with a little extra — a beautifully figured Maple top reminiscent of the fabled tops of the Les Pauls from the late '50s and early '60s. Each Les Paul Traditional also comes with Gibson USA’s standard black snakeskin case.

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Gibson Les Paul Studio Electric Guitar, Wine Red, Chrome Hardware

Gibson Les Paul Studio Electric Guitar, Wine Red, Chrome Hardware Review

Gibson Les Paul Studio Electric Guitar, Wine Red, Chrome Hardware Feature

• Traditional Rounded Neck Profile
• BurstBucker Pro Pickups
• Traditional Mahogany Back and Maple Top
• 22-Fret Rosewood Fingerboards
• Chambered Body for Perfect Tone Balance and Weight

Gibson Les Paul Studio Electric Guitar, Wine Red, Chrome Hardware Overview

Introduced nearly 25 years ago as a guitar for the studio musician, the Les Paul Studio has become one of the most desired Les Pauls for its tremendous harmonic and sonic capacities, coveted by musicians from all genres of music.

Gibson Les Paul Studio Electric Guitar, Wine Red, Chrome Hardware Specifications

Gibson's Les Paul Studio offers traditional Les Paul performance with a modern, no-frills attitude. Introduced as a guitar mainly for studio musicians, the Les Paul Studio has become one of the most desired--and popular--Les Pauls for its tremendous harmonic and sonic qualities. All of the essential elements of a Les Paul Standard are there, including a carved maple top, solid mahogany back and genuine Gibson humbucker pickups. What the Les Paul Studio lacks in extras, it makes up for in performance. Ask any one of the thousands of musicians who call it their No. 1 axe.

Traditional Les Paul Performance Meets Modern Tone and Playability

Available Finishes
Take your pick between four gorgeous finishes--Ebony, Wine Red, Classic White and Fireburst--all of which are applied by hand in a process that demands several coats and many hours. Unlike a lot of our competitors, who settle for a polyurethane finish, Gibson opts for a nitrocellulose finish that will encourage the natural vibration of the instrument for a purer tone. In addition, a nitro finish is very porous and actually gets thinner over time. That way your guitar's wood can breathe and age beautifully, like it's supposed to.

Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional--and unique--as the next.

A thicker, rounder neck profile emulates the neck shapes of the iconic Les Paul Standards of the late 1950s.

Gibson pickups crank out modern tone with a vintage edge.

Gibson's 490R and 498T Pickups
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. This new genre's players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup, and Gibson answered the call with the 490T and 490R pickups ("T" for treble, and "R" for rhythm), humbuckers with the tonal characteristics of an original PAF, but with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.

Mahogany Back and Maple Top
There isn't anything more critical than the marriage of the Les Paul's mahogany back with a maple cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. These onsite inspectors also ensure that the plain maple comes from corporations adhering to the forest-saving standards of the Rainforest Alliance, of which Gibson is a proud member and sponsor. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods' machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

Ebony or Rosewood Fingerboard
The fingerboards on Gibson's Les Paul Studios are constructed from the highest grade rosewood and ebony on the planet. Both are personally inspected and qualified by Gibson's team of skilled wood experts before they enter the factories to be fitted onto the neck of the Les Paul Studio. The resilience of these dense and durable woods makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The ebony fingerboard is only available on the Classic White Les Paul Studio, and the rosewood fingerboard is available on the Ebony, Wine Red, and Fireburst models.

Enjoy Enhanced Tone With Gibson's Lightweight, Chambered Body
The expert craftsmen at Gibson USA carve carefully mapped-out chambers in the Les Paul Studio's solid mahogany back using a Computer Numeric Controlled (CNC) router before the maple top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

Tune-O-Matic Bridge
The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954. At the time, it was a true revelation in intonation, and set a standard for simplicity and functionality that has never been bettered. This pioneering piece of hardware provides a firm seating for the strings, allowing the player to adjust and fine-tune the intonation and string height in a matter of minutes. It also yields a great union between the strings and body, which results in excellent tone and sustain. It is combined with a separate "stopbar" tailpiece, essentially a modified version of the earlier wraparound bridge. To this day, the Tune-o-matic remains the industry standard. It is the epitome of form and function in electric guitar bridge design, and is one of the most revered and copied pieces of guitar hardware ever developed.

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Maestro by Gibson Double Cutaway (SG Style) Electric Blue Guitar Kit

Maestro by Gibson Double Cutaway (SG Style) Electric Blue Guitar Kit Review

Maestro by Gibson Double Cutaway (SG Style) Electric Blue Guitar Kit Feature

• LP Design Electic Guitar
• Extra strings, 5 watt amp, picks, strap, instrctional DVD

Maestro by Gibson Double Cutaway (SG Style) Electric Blue Guitar Kit Overview

Maestro double cut away sg-style electric guitar (blue)patented 1961 gibson double cutaway body design with poplar/maple veneer; bolt-on maple neck with natural satin finish; 1 humbucker pickup, 1 volume control & 1 tone control; 22-fret rosewood fingerboard with dot inlays; chrome hardware, wrap-around bridge, diecast tuners & black speed knobs; blue

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*** Product Information and Prices Stored: Mar 24, 2011 22:10:03

Gibson Les Paul Standard Traditional Pro Electric Guitar, Heritage Cherry Sunburst

Gibson Les Paul Standard Traditional Pro Electric Guitar, Heritage Cherry Sunburst Review

Gibson Les Paul Standard Traditional Pro Electric Guitar, Heritage Cherry Sunburst Feature

• Body: Mahogany Top: Carved maple Back: Mahogany Neck: Set mahogany Neck Profile: '60s Headstock: Angled Scale length: 24-3/4" Fingerboard: Bound Rosewood No. of frets: 22 Nut width: 1.69" Inlays: Trapezoid Binding: Antique Bridge: Tune-O-Matic with stopbar tailpiece Tuners: Locking Grover Hardware: Chrome Bridge pickup: potted BurstBucker 3 humbucker with push/pull coil splitting Neck Pickup: '57 Classic with push/pull coil splitting Electronics: 2 volume with push/pull coil-splitting, 2 tone, 3

Gibson Les Paul Standard Traditional Pro Electric Guitar, Heritage Cherry Sunburst Overview

Taking design and visual cues from the Les Pauls of the '80s and '90s, the Les Paul Traditional Pro features BurstBucker 3 and '57 Classic pickups with push/pull coil splits, '60s neck profile, Grover locking tuners, antique binding, period-correct pickguard, vintage Gibson top hat knobs, and the revolutionary Plek set up. With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Each Les Paul Traditional also comes with Gibson USA's standard black snakeskin case. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late 1950s and the early 1960s. Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the 1980s and 1990s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard. The Les Paul Traditional comes equipped with a period-correct pickguard, designed to protect the maple top. Pickups: Neck - '57 Classic; Bridge - BurstBucker 3 Among the qualities that make Gibson's original "Patent Applied For" humbucking pickups so unique are the subtle variations between coil windings. For the first few years of their productions—1955 to 1961—Gibson's PAF humbuckers were wound using imprecise machines, resulting in pickups with slightly different output and tone. The BurstBucker 3 and '57 Classic Plus pickups are the result of Gibson's drive to capture and recreate this characteristic. Introduced in 1992, the '57 Classic provides warm, full tone with a balanced response, packi

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Full Scale Plans for the Gibson Flying V Electric Guitar

Full Scale Plans for the Gibson Flying V Electric Guitar Review

Full Scale Plans for the Gibson Flying V Electric Guitar Feature

• Full scale plans to build the gibson flying v electric guitar
• Scale 1:1 detailed plans
• Showing electronics,neck,frets,body, side view
• You can use these plans to make templates
• Detailed, meaurements fret,neck,

Full Scale Plans for the Gibson Flying V Electric Guitar Overview

excellent plans to build this guitarprinted on large format paper 30 by 48 inchesvery detailed, clear plans, all meaurements,showing drill positions, frets, neck, bodypickups, routing info,Mailed in Large Envelope

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*** Product Information and Prices Stored: Nov 17, 2010 03:10:05

Gibson Holy Explorer Limited Edition Electric Guitar

Gibson Holy Explorer Limited Edition Electric Guitar Review

Gibson Holy Explorer Limited Edition Electric Guitar Feature

• The Gibson Holy Explorer ships w/Gibson 496R & 500T Humbuckers
• Satin Cherry Finish
• Gibson Tune-O-Matic and Mini Grover Tuners

Gibson Holy Explorer Limited Edition Electric Guitar Overview

An enormously playful take on the seminal Explorer, the Holy Explorer from Gibson USA gives you all the meaty tone and speedy playability of the original model. Yet, while following the exact body lines of its iconic predecessor from the Modernistic Series of 1958, the solid mahogany body of this limited edition model is shot full of holes, creating both a lighter guitar and an interesting modification of the original Explorers resonant characteristics.

Cutouts in the solid mahogany body create both a lighter guitar and an interesting modification of an already striking design.

Distinctive "drooping" headstock with six-in-line Grover Mini tuners.

Mahogany body and neck Rosewood fingerboard 24-3/4" scale 22 jumbo frets Chrome hardware Grover Mini machine heads Corian nut and saddle 496R neck and 500T bridge pickups Set neck joint Tune-o-matic bridge

Sweet Little Rock and Roller
The Explorer has always been a rocker, but the Holy Explorer jumps the X factor up a notch to crank out a contemporary descendant of the heavy rock sound. A pair of Gibson's own uncovered ceramic-magnet humbucking pickups--a 496R in the neck and a 500T in the bridge--maximize output and sustain while retaining clarity and string definition.

Down to Business
The minimalist control array is designed to let you get right down to business. There's just a single volume control, positioned for easy pinky-finger volume swells, and a three-way pickup selector--nothing superfluous to get in the way of you and your tone. And playability, naturally, is flawless, on par with the Explorer’s famous high neck/body joint and easy access right up to the 22nd fret of the Holy Explorers fast, super comfortable 24 3/4-inch scale neck, which is also made from solid mahogany.

Head over Heel
The Holy Explorer also retains its ancestor's distinctive "drooping" headstock with six-in-line tuners, which in this case are Grover Mini tuners. The guitar is also fitted with a Corian nut and Gibson's traditional stop bar tailpiece and Tune-o-matic bridge, which keeps everything firmly anchored and ready to wail. From chunky rhythm work to screaming lead tones, the Holy Explorer is one unholy hell raiser of an offspring of the original Modernistic rocker. Each guitar comes with a customized Limited Run Series certificate of authenticity, and a black Gibson hardshell case with plush white interior and silkscreened Gibson USA logo.

No collector's item is complete without a customized Limited Run Series certificate of authenticity.

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11 Gibson Electric Guitar PLANS - Full Scale Drawings - for making guitars

11 Gibson Electric Guitar PLANS - Full Scale Drawings - for making guitars Review

11 Gibson Electric Guitar PLANS - Full Scale Drawings - for making guitars Feature

• 11 full scale electric guitar plans - for the guitar maker
• Actual size drawings. detailed, new, not used
• Large format printout paper
• Will be mailed in mailing tube priority usps - not folded - but rolled

11 Gibson Electric Guitar PLANS - Full Scale Drawings - for making guitars Overview

all 11 plans are full scale on large format paper - detailed clear, measurements and parts, can use for templatesthe photo is not clear and only shows part of the gibson L5CES, you will get all these 11 Electric guitar Plans for one price, gibson Les Paul - stylegibson Les Paul double cutaway - stylegibson firebird studio - stylegibson firebird VII - stylegibson flying v - stylegibson es335 jazz - stylegibson sg - stylegibson cs356 - jazz - stylegibson explorer - stylegibson 1275 double neck - stylegibson L5CES archtop all plans mailed in long box rolled, and unfoldedFull scale actual size 1:1- detailed plans - to build (make) each plan printed on large format paper 36 by 48 inchesvery detailed plans, showing all aspects and details - measurements in millimeters, electronics, top view, side view, neck, frets , precision you can make templates directly from these plans.

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Maestro by Gibson Short Scale Mini Flying V, Red

Maestro by Gibson Short Scale Mini Flying V, Red Review

This guitar is nothing but the best which I expect from Gibson products. The paint is beatiful, the feel is great, and you'll have to cradle it in your lap between your legs, but it's so light it's easy. See Marco's video. If you want a nice addition to your collection, and something truly unique other than a guitar shaped like a W, (Get it? Next step in Alphabet?), order this right now. Stop reading this and order. I'd give you my credit card, but the magnetic strip has been stripped down to the plastic by Amazon deals.

Maestro by Gibson Short Scale Mini Flying V, Red Overview

This guitar is in YELLOW color.

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Gibson Les Paul Studio Electric Guitar, Worn Brown Satin

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Review

Let me first say I have played for many years, with a band that mostly records, but plays out a handful of times per year. My main gear is a marshall tube combo, some boutique pedals and an early 80's american tele.

I was intrigued by the gibson les paul sound so after along search I bought a used 01 pewter studio. I was drawn to its heft and playability. Something was not right, after months of playing it I realized the pickups were hotter than I wanted. Before I bought this pewter studio, I had tried out a lot of guitars, and played a few worn mahogany les pauls, but I was always repelled by the lack of finish, the frets were rough, the neck was sticky, it was generally not-player friendly like the nicer rare studio was...

but I happened to be in guitar center trading in an amp i din't want when I played a used vintage worn brown les paul and fell in love; the pickups are warm as hell, the neck was shiny and smooth, the frets were perfect; I realized all it needed before was breaking in! I love the guitar, especially the neck pick up, which can be very bassy if you are not careful, but has a sweet singing tone for solos- and is worth the price.

If you want a nice les paul, and you don't want to fork over 2k plus for a standard or goldtop with p90s, skip the studio and go for one of these worn models- they use essentially the same materials, and all the savings come from wood choices associated with cosmetics and extensive finishing.

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Feature

• Traditional Rounded Neck Profile
• 490R and 498T Pickups
• Traditional Mahogany Back and Maple Top
• 22-Fret Rosewood or Ebony Fingerboards
• Chambered Body for Perfect Tone Balance and Weight

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Overview

Introduced nearly 25 years ago as a guitar for the studio musician, the Les Paul Studio has become one of the most desired Les Pauls for its tremendous harmonic and sonic capacities, coveted by musicians from all genres of music.

Gibson Les Paul Studio Electric Guitar, Worn Brown Satin Specifications

Some guitar players like the look and feel of a shiny, brand new guitar. Others, however, prefer the look and feel of a timeworn instrument--a guitar, without the sheen, that looks a little used, and has a smooth, worn look to it. For these players, there is the Les Paul Studio Faded from Gibson USA, which lets you see and feel the wood grain's natural beauty. And just like its brother, the Les Paul Studio, the Les Paul Studio Faded offers up breathtaking Les Paul performance in a modern, no-frills package that's sure to please even the most discriminating players.

Pure Les Paul Swagger in a Modern, No-Nonsense Package.

Fast & Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile, which graces the neck of each Les Paul Studio Faded, is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional--and unique--as the next.

A thicker, rounder neck profile emulates the neck shapes of the iconic Les Paul Standards of the late 1950s.

Gibson Burstbucker pickups and a Tune-O-Matic bridge.

Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically "unmatched" bobbin windings and Alnico II magnets. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.

22-Fret Rosewood Fingerboard
Rosewood fingerboards and trapezoid inlays have been a mainstay feature on Les Pauls ever since the model's introduction in the 1950s, and the fingerboards on Gibson's Les Paul Studio Faded are no different. They are constructed from the highest grade rosewood on the planet. Each piece of wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enter the factories to be fitted onto the necks. The resilience of this dense and durable wood makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. Additionally, the 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The traditional trapezoid inlays are made of figured acrylic, and offer a classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers.

Mahogany Back and Top
There isn't anything more critical than the matching of the Les Paul's mahogany back with its mahogany cap, as well as the regimen involved in selecting the right wood and the formula to dry it out. First, the wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the Gibson factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures that the wood is dried to a level of "equilibrium," where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the wood, in addition to reducing the weight. It also improves the wood's machinability and finishing properties, and adherence to glue. Consistent moisture content means that a Gibson guitar will respond evenly to temperature and humidity changes long after it leaves the factory.

Chambered Body
There's something about playing a guitar with perfect tone, balance, and weight. One of the ways the expert craftsmen at Gibson USA achieve this equilibrium is by carving carefully mapped-out chambers in the Les Paul's solid mahogany back using a Computer Numeric Controlled (CNC) router before the mahogany top is glued on. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.

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*** Product Information and Prices Stored: Sep 20, 2010 20:10:04

Gibson Les Paul Studio Electric Guitar, Satin Ebony Chrome Hardware

Gibson Les Paul Studio Electric Guitar, Satin Ebony Chrome Hardware Review

Gibson Les Paul Studio Electric Guitar, Satin Ebony Chrome Hardware Feature

• Carved Maple top
• Mahogany body
• Alnico magnet humbuckers

Gibson Les Paul Studio Electric Guitar, Satin Ebony Chrome Hardware Overview

All the famous Les Paul ingredients at a fraction of the cost.The arrival of the Gibson Les Paul Studio Electric Guitar in 1983 offered guitarists all the essential elements of a Les Paul Standard, including a carved top and humbucking pickups. Its simple yet elegant design quickly helped it become the most popular model in the Les Paul Series. Cutting-yet-rich tone—the hallmark of the Les Paul—pours out of the 490R and 498T Alnico II magnet humbucker pickups, which are mounted on a carved maple top with a mahogany back. The faded finish models are equipped with BurstBucker Pro pickups and a mahogany top. The Les Paul Studio Electric Guitar includes a Gibson hardshell case (Faded and satin finish models come with a gig bag) and a limited lifetime warranty.

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*** Product Information and Prices Stored: Sep 19, 2010 00:39:04